Portfolio: Good Soup Cookbook, poetry
Poem by: Rye Moira le Flibbertigibbet
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Ryan Moira Renea Greindur Hebert
Ms. N C D
Creative Writing English 4
20/11/2024
Good Soup Cookbook - learning to cook solo
A good soup for the disturbed. A disturbing soup to the comfortable.
A collection of pre-written poems, thrown in the crock pot.
This meal is the feast of a lifetime.
Mad and Cheese - Prose |
I have not spoken to my grandmother in several years. She is immensely mentally ill and it's not safe to reunite, but I think about her every day. She gave me a fun childhood and even cooked for me, which she hardly did for herself. I think somehow, I was helping her through her bad times. My favorite meals of hers were Mickey Mouse pancakes and her mac and cheese. While her mac and cheese was good, it didn't have a lot of flavor because we grew up poor. My mom told me about this one time she attempted to make potato soup, but it ended up as potatoes in a milk broth. It's an endearing story until you peek behind the curtain, but that's not today's story.
My entire life I felt a mild amount of inspiration from my time with my grandmother. She did her best to nurture me, resulting in the only memories from my childhood. I feel in some way I'm still in Springfield with her, hearing about the time she tried ordering from a drive-through, but was just yelling at the trashcan.
Theme: It’s okay if your past is bittersweet. |
I wash my hands
that icy bathroom dribble
and water-filled soap
Grandma knew how to fix something
or spread that buttery dollar
but there's one thing she’d never leave:
Her baked mac and cheese
Seasonings? Who needs ‘em
Milky noodles on a tray!
Crunchy breadcrumbs the cherry on top
I never loved Grandma’s food but
the world she spawned,
I could not get enough, of her everlasting ‘love’
Mother may say she has
no redeeming qualities
however she raised me that same
way she had been shamed
The hat may be different,
reflection forever the same.
Never say I can't miss that
foggy crunchy mess!
Charlotte is gone and not, an
enigma or phantom which:
Haunts my mind and
terrorize me til’
I am demised.
but I will always crave.
that milk noodle soup.
Rye Moira Hebert 2025 |
My Dear Golgi Apparaus - Ode to Organelles |
Ms. S was my Freshman English teacher. I was 14 and so anxious every second of the day, struggling with the reunification with bullying. I was also taking Biology with Dr. B and we were learning the basics of cells when inspiration struck: cells are very complex, despite being microscopic. Once personified, they become like animals, and dissecting them becomes simple. Comparing a cell to a beast, we see the organelles as organs, such as the vacuole and stomach, or the plasma membrane and skin. The prompt was an ode, so I oded something unseen because I have remained a glass panel.
Inspiration can come from the smallest of things, mine is something that interests me. Golgi makes some good science soup, full of protein.
Theme: Even the microscopic deserves to be esteemed
It is developed by the use of caesura, motif, allusion, and the literary device of personification to bring the protein-sorter to life. |
The Mitochondria is the powerhouse of the cell!
That's what people always say
But you, dear Golgi apparatus,
you're not known today.
You package our proteins
because no one else knows how,
and if anyone ever wrongs you
I'll have a big fat cow.
You, dear Golgi apparatus,
you are my lovely little honey bee
Tugging at crates, flying miles with pollen, you’re
the only one strong enough to heave them around me!
My dear apparatus,
your tubes look like flowers
I just can’t get past the fact
that you must have superpowers!
Your meaning is beyond recognition
No one knows about your trans face,
or your lumen,
I know your features at any time, and place
Your vesicles and cis face
have been too beautiful to me
The fact you hide,
like a lovely little honey bee, in a field of toads
My dear Golgi apparatus,
don't underestimate your strength
Little Golgi apparatus,
you can carry so many boxes
a thousand-plus!
Cells are so lucky to have you,
my dear apparatus.
You're so calm in our bodies
you never even make a fuss
My dear Golgi apparatus,
your small scale makes you whole
My dear apparatus,
you complete my soul
My dear Golgi apparatus,
you tend to the cell with such care
But my dear Golgi,
our lives are really unfair
Getting picked on by other organelles
Little do they know we are more than they think
Like last Thursday,
when we disappeared in just a blink.
Hiding in tulips with you,
Golgi,
you make me feel a relentless safety
while I'm lost in this field of pansies
We’re never noticed or appreciated
but you and me,
my dear Golgi apparatus,
are a beautiful honey bee flame to be-
We just need to flap our wings.
Rye Moira Hebert 2025 |
It Looks Like Us - Ekphrastic Poem about It Looks Like Us(Alison Ames) |
Over Junior year, I read a book called ItLooksLikeUs by Alison Ames, an extremely talented artist who paints beautiful, disturbing, and uber-detailed scenes of despair and fear. My poem is very literal to the plot, describing scenes or characters, and focusing on the monster. The beast in the book comes from an ancient underground lake that Anton Rusk is attempting to burrow into, purely for mad scientist reasons. Right before a snowstorm, the beast infiltrates the group as Anton Rusk watches from his McMansion.
Alison Ames has become my icon. My inspiration has been pulled straight from the pages of her book into my brain, permanently changing my writing style, and giving me a guide for evocative imagery.
Theme: It looks like us and we are double screwed
It is terrified through the use of alliteration, allusion, and imagery. Every word in italics demonstrates a word that isn’t true, either a conflation or a lie told by Anton Rusk. In the first stanza, I use the word escaping to demonstrate a continuous fight for survival, highlighting that the beast wins in the end. |
Stressing plot and Snowy escaping
His beasty claws grip and grab
at trembling fingers and Shivering arms.
Slim pickings when the island is closed
Ever fleeing a passing gaze,
I see this monster and who it pretends to be.
He comes from the earth, he comes from the artic,
a traveling symbiote of black goo
a freezing slicing grip of claws as
the Snowstorm dances. alone and
the feet trudge the gulf
eating a human,
and then four more
Easy to take a crazy man away
from the affluent paying fingers,
when the rich man pays for his own demise.
Stuck, locked, in an invisible cage
Bologne betrayal and Salami cuts
Icy beast, yelling human tongues
In a glass box, the beast thrash
Apparent knowledge of locks
and over-bulking body
Travel now, take the world by force.
No one listens to the depraved rantings of an anxious woman.
especially when it comes to beasts
and the wrong-doings of rich men,
See him now: he
who devours his words said,
while the beast chomps his bones
into fine amber shards-
worth a million more, than his games-
his spoiled plan
Unlapped spoiled meat cutlets stink less
than this man's bull,
and less than his treasured betraying beast
Rye Moira Hebert 2025 |
My New Cat - Elegy for Hermione |
In the duplex we lived in Springfield, there was an elderly cat lady with dozens of sickly cats. One of the tabby kittens with very round eyes ended up on our doorstep and she seemed healthier than the others, so my mom decided to wait for my stepdad to come home. We made her a nice bed in a box, but it was a very cold night and I was young. She was sick her entire life with bad gingivitis and other sickness. A few times, she had seizures and fell from the top of the cat tree, scarring me badly. We had to put her down for her health, but I know that she’s not in pain anymore.
The natural despair that life brings is my ultimate inspiration. |
Someone's discarded boot showed up at my front doorstep
The boot had no tag and it was beaten to hell
I felt bad for the leather,
ripped and tattered and covered in mites
that never washed away
It was new, probably six months old
The soles are worn, though. too
hard to walk on
Making it wait outside in an old box,
in that cold snowy abyss. made me
feel no better than the boot's true owner
But there was a reason that boot came to us
the boot was hurt and needed repairs, and
dad gave the O.K. to bring it in, and fix it up
The tattered boot still had internal problems
The tongue never sat quite right,
stitching ripped, no laces
but we loved our boot.
This weathered boot became family,
family like no other we had before.
Our boot grew into a lovely sweet Shoe Carnival and
she proved how easy it is. to be changed by love.
and some leather polish.
Rye Moira Hebert 2025 |
Hells Cycle: I am Alone - Prose |
Most people-pleasers at some point find themselves taken advantage of. Some of us get caught in stupid games led by cruel people, but I think that most people learn someday to take care of themselves and cut off those who do not serve us. The title was written to demonstrate intense emotion and pain, however, I can see things objectively, so I am aware that it’s VERY dramatic. That’s what I love about my writing: I am not afraid to be evocative or dramatic to get my point across.
Once again I am my inspiration. I come to life-saving conclusions on my own and I spread them, showing self-preservation to those I love.
Theme: The “block” button may be the only God |
All of the souls I was once kindred to have withered away
leaving the broken remains of who I once was
what I used to be
There should be a point where I would stop trying
but I keep trying and trying-
Attempting to weasel my way back into whatever routine and normalcy I had
Persistence is a curse and I pity those who will let go
and leave someone out like trash. I can’t believe that I was blocked,
but I should have seen it because
the trash I was called left a stain on my heart,
haltering my progress and growth:
a wilted draughted plant
The deep pain is like a boisterous lipoma
digging its fingers deeper. and deeper.
Some day I will have to give up but that day is nowhere near
So if you'll excuse my attitude or my angry words
you left me here like a puppy you got bored of.
A broken toy from your dollhouse that you replace with the newest and prettiest model that hasn't half the personality as I.
Take your shitty lies and get out
because I can't leave on my own.
I'm trapped in a cycle that I was born into.
A cycle that is unstoppable from the inside
ripping and tearing at pieces of my being
Look into my eyes and see the truth: that
I wear my heart on my sleeve and I am constantly thrown into doorjambs
bruising ripping pulling at my soul.
Tear as many pieces as you want from me
because I will stick with you,
accepting the treatment as a stray.
I can't escape my own brain like you can your broken dolls
But It's all fun and games until your toys fight back,
fight back against the abuse you subject them to
and make you hurt for leaving that poor puppy in the field.
We all know that a dog cannot survive on his own and will starve when abandoned
Figure out that when a dependency is born,
so is a cycle. A cycle that is inescapable and gray.
Seeing you in my blocked accounts drives me mad-
I need answers, reasons, anything!
but I'm too brave to try your game again.
Rye Moira Hebert 2025 |
Ice Against My Solid Heart - Self Elegy |
Last summer, 2023, I was having a breakdown outside, at midnight and was shoeless. The ground was muddy and I sat, hardly able to see my screen while pumping out poems on a damp brick wall. The next day, I came back to my notes app and couldn't decide what to name it until randomly, Ice Against My Solid Heart popped into my head and it made me giggle. It's cringy, it's angsty, it's perfect for a poem about a meltdown. Dramatic imagery is beautiful and it makes me smile. I had lost three friends in one day, for separate reasons, all revolving around my mental capacity. Autistic meltdowns are built to have zero clarity and emotions are at full swing and turned to 104%. I was perfectly fine the next morning because going outside and sobbing was emotionally regulating.
I am perpetually inspired by the works of the ill. We have a way of abrasively embracing one another.
Theme: It’s hard to be somebody in this world when you are predisposed to trauma.
It is developed through the use of hyperbole, irony, and simile. “Bear feet” is intentional, portraying me as a monster. I use more imagery to picture it as a beast, very hyperbolic and ironic. I show irony with my use of “pack,” symbolizing the people I chose to associate myself with, also as monsters. It demonstrates bad decision making, loneliness, and tells a story about expectations, expecting monsters not to maul. |
The grass was cold and saturated beneath my bear feet
This walk of clarity isn't helping. The dew soaks
my paw pads, grounding me to our Earth
yet, I still have the urges and the desires
and without my pack, I can't do this
I sit here on this jagged brick, with
tears running down my face
My claws dig into the earth
and my nose runs,
as I realize I am hardly the victim in this story
Bittersweet tears of realization
and no notifications to help
They all gave up on me.
I'm the hopeless animal that not even the pound could save
No helping this beast.
Rye Moira Hebert 2025 |
Dealers Hand - Narrative |
As an eternal people pleaser, it has been a cliff to climb, to unapologetically take up space. This poem was written in the summer of 2023 when finally I learned I could be confident too, and I was worthy of my existence. Life-long shaming and gaslighting became easy to override after I realized I was probably the only moral and kind person ever. Those who complain are without empathy, immoral, and disgraced. I do not care about them because they are no longer human and it is far too hard to overturn my convictions.
I am my biggest inspiration.
Theme: Don’t force your pain onto others. The trauma will only continue to spread unless you pause, take a step back, and say you are ready to be better. |
There are no stars in the sky tonight
No star to look up, to share my burdens
I did see a plane
but the plane did not see me
for I am the invisible-
never seen no matter how hard I cry
and how hard I beg
for empathy, I am in desperate need
I haven't a soul to trust
nor do I want to trust a soul.
Pity falls around me like a cold and bitter rain,
but my cries have yet to hit the ears
muffled by my sins. my cries are unheard
or better yet, let's say they're ignored
because that's who I am-
I am the one you pass by and haven't a second thought, nor a second glance
Hell, I didn't have a first.
I pray that I will not be the emotional tragedy that I have always feared
and I instead will be someone, and something, that is hard to ignore
These thoughts are booming in my head
these emotions bigger than my shell can hold
My heart is bleeding out and all I need are some bandaids
I know it's pitiful to say such a thing and yet I get pity for the wrong things
Empathize with how I feel:
I lost everyone
those I sacrificed myself for
And no one asks me how I am, no one asks me how I've been coping
They ignore me until it's convenient to love me again.
Friends turned to foes and foes turned to spirits that haunt my mind and never my inbox
I am alone; picking up the phone to the telemarketers just to hear someone say my name
I am the forgotten and the unheard and you think you are unheard too
so why make me feel the pain of which you have been dealt
Rye Moira Hebert 2025 |
Summers Melody - Pastoral |
It was a nice night after the muddy night full of tears and snot dripping into the grass. It was dark and loud outside with chilly breezes from the bad weather, and the sky was clear and grey. The use of italics highlights the natural world, however, it is also important to note that nothing about me is in italics, showing the imposters syndrome in a more literal way. It indicates that I am not particularly valid in that space until the last line, where I finally get accepted into the monotony of the summer's chorus.
I am perpetually inspired by the world. I find beauty in every life form and I think frequently about Midwestern insects because I love them. Something about a goofy June bug or a buzzing little gnat makes me feel peaceful.
Theme: We are seldom solo, invariably invited into nature's grasp.
It is developed through the use of hyperbole, irony, and alliteration with S and C. I display irony by excluding myself from the natural world, assuming nature is evasive of humanity, and I use it to highlight the fact I'm not really alone. There will always be someone else feeling the same breeze as you, you just can't see them. I also use a lot of dramatic imagery, such as the use of forlorn and my description of the June bug wings. I use alliteration to get a general flow and theme going and I do it in my theme too to pose a more memorable moral |
I listen to the cicadas call in the night
Their chirp is calming and their song united-
like the delicate rain of spring.
The hours fly by, and the frogs join the chorus
The symphony tingles through my head, as a beautiful melody
sweet and calming.
The choir reaches a height I cannot,
the song touches the twinkling stars. gently, like a breeze forcing
the trees to drop their flowers, and they lay scattered, scattering
petals float slowly as if time were void
Which he is. always silently stalking, slinking
Time means seldom when I'm forlorn,
listening to the song of the summer choir,
sitting in the bracing breezes that send chills down my spine.
Being alone is a thorn in the side and yet,
I lay in the clovers.
Hugged tight by the chorus and moonlight,
June bugs take wing overhead, lowly drummers
batting their wings hard, loud. thumping noise which was
breaking my beautiful sonnet and taking me back to reality
The reality that I am sole in this red fescue and
I'm the only one feeling the stinging wind and fluff of dandelions.
No one is sitting and shivering, in the squall with me
The one I love most can't hear the cicadas,
they can't even hear the crickets. from behind those stone walls.
The wings of the June bugs fade out and I'm once again distracted-
distracted from the chaos within
The cicadas pulled me into their siren song.
Rye Moira Hebert 2025 |
Know Not of Native America - Tercet |
I can’t remember the writing prompt that started this poem, but I had been thinking a lot about Native American cultures and ancient civilizations. This poem is a broad interpretation of colonialism and what beautiful pieces of the past have been washed away and forgotten. Stanza translation: 1-3 The ancient Aztecs built incredible cities and temples, but they're all gone now, watching over us and/or their land 4-6 Did they know what they were doing was an incredible and beautiful feat? The old white “friends” (colonizers) say they were savages, stealing the treasure (the America’s) from them 7-9 Listen to me: if you sin in immoral and cruel ways, they (ancient ones) will send you to a horrible fate 10-12 See now what path you're following. Repent your sins, because they'll be displayed (like Han Solo) the last line is interpretive, but it all means “beware” and don’t be immortalized as a eugenicist.
For my PING/PED(an assignment meaning Developing and Developed countries) countries in AP Human Geography, I picked my favorite country: Guatemala. For historical and cultural elements, I looked at stuff from the Aztecs, who lived in the old cities of the Mayans on top of building their own stunning temples and cities: bigger than ever. There's an estimated 600-800-year gap between the Mayans and the Aztecs, but the landscape is crazy and absolutely inspirational.
Theme: We exist within their context
It is developed through the use of alliteration, rhyme, and hyperbole. I use alliteration in every line to highlight the important words where the meaning of the poem lies. I use the rhyming scheme AABB, “loom, aplomb & amok, unlock.” My dramatic language and generalization of all native cultures highlight the effects of colonialism, almost calling out that the timeline I use is completely false because white men didn't take land until recently. I also utilize hyperbole to paint an ethereal mood, using dramatics to shun the ones who wreaked beauty and peace. |
No one knows the ancient aesthetes
of the ancient Aztecs:
in apparition is where they loom
Tell me, son, were they aplomb?
These age-ed amigos say they were amok;
running and thieving, stealing the apricity they had unlock.
Adagio, my son
be audacious to the ancient ones;
an abysmal horoscope is handed to you,
apperceive now what they must do.
Ameliorate, my child. Atone!
For anon, these men will lie encased in stone.
Rye Moira Hebert 2025 |
Sacrifice of Great Magnitude/Prospecting Hope - Poetry Memoir |
Biological conflicts have been starting an internal war. The desire to have a child versus reality, ID vs Superego complexity is taking over the minds of many people. I would love to have a child, but I would be passing down genes that are immoral to spread. My faith has helped me keep going but as an abstinent person. If I one day become pregnant, I don't know if I could do the right thing--or what the “right choice” would be, for my life. The double title is reflective of the struggle and it demonstrates the emotions through word choice. I also dive into some of my real experiences with doctors and adults acting like they know my body and my needs. A doctor attempted to force an IUD upon me without asking, and now I'm even scared of women doctors. I portray the quack as a man, but my quack was a woman who made it clear she did not want to listen to my pain. My mother almost bled out because of PCOS. She needed four pints of blood and I also faced serious heavy bleeding that I had to beg to go to the hospital for. Ironic how my mother almost died and she was trying to force that same fate upon me. It's funnier how she thinks I see her as human, but no human would force their child to bleed out simply because they're “being dramatic.” It’s one of the only memories I can remember clearly, weeks of rinsing pints of blood from my clothes, gaslighting, and unacceptable medical treatment. What's worse is that I was at that appointment alone and anxious: it was only a week into my mother's chemo for stage four Burkett’s Lymphoma, a sporadic blood cancer with little knowledge.
Theme: Women’s and disabled bodies are treated as uncared-for objects until it's convenient to save us |
What should you do if,
three moon cycles pass and a heartbeat is born?
Would you be irresponsible on this dying planet?
Stepping into his office was steel: men are seldom understanding
Quacks office AC too high, only noise the
receptionist fingers typing fast: they halt
They halt with my heartbeat, at the words of a voice anything but Mellifluous
“The test came out positive. You’re pregnant.”
Noisey keyboard resumed;
heartbeat number one still stalled.
The mechanical beeping of heartbeat two brought bittersweet feelings of Elysia and Macabre
It couldn't be.
my body is not my own, I declare,
something has me hostage here.
I can seldom stand alone,
how will I lift and play with a baby,
a toddler, or child?
My mother could lift me, her same size,
can my baby not have the same?
Or hell,
would they come out like me?
Would we only have a few years before the hyperextension gives daily dislocations?
Clumsy kids are destined to fall apart, designed brittle
Stinging tears slipped to the floor
What are the chances of a PCOS baby?
Will I get attached only to lose them..?
God damn these shitty genes. RCCX
can't take me down, but
how about a kid in a worsening world?
I remember falling apart, my
tendons peeling from my bones! and
muscles inflamed simply from standing
I internally hit myself.
“You are not your parents,”
but the conflict worsened.
Standing from the table, my vision fades to black
the small remaining box showed the colliding floor tiles
I will always be
fighting for my life as much as theirs.
I take my own hand,
lift my bootstraps,
and pat my belly.
I know it's wrong to bring a new human into a dying world
but the machine beeped a little heartbeat,
It's overwhelming. A sweet baby with my face, swaddled in a decorated crib, drooling a yucky puddle into the sheets,
I adore the image.
Don't get me wrong,
I wouldn't have a baby. My body is too fragile.
That child would be worse off than I, I fear from
toxic lessons ingrained into my head.
Something awful has burrowed into my grey matter!
I am not my parents, I repeat,
I am not my parents.
I could raise a baby, a functional happy family:
I would be a fantastic parent-
If I wasn't born broken and pained
I am responsible for passing on my shitty genes and my disabilities.
I won't, I can't. It's wrong, sinful to cause harm to my innocent child.
The sweet lump of cells would have to go,
so we can be at peace.
What would I do,
If I ever grew a life?
I fear I wouldn’t have the courage to take it away.
Writing this is difficult too draining
thinking about a family that I can’t start
It's Laborous.
I am not my parents,
I won't bring a life into this world only to spend every waking day trying to snuff it out. I'm not cruel. I'm not evil.
My children will be the happiest,
and they won't know the pains of the crip.
A crip- a term I've seen through disabled poet Laura Hershey. It means someone disabled, usually with a mobility aid, especially a wheelchair. In Translating the Crip, I felt power through her words. The first stanza sits with me tighter than compression socks and a weighted blanket: that simple, “Can I translate myself to you? / Do I need to? / Do I want to?” brings me unlimited comfort.
If these words hold a meaning deep inside, you've lived as a crip, gawked at but unseen. The violation that comes from the able-bodied noses digs a deep trench into your heart and soul- hands off of my wheelchair and my cane! I did not ask to be pushed, you did not ask but demand why I am here in your walking space! The answer could be anything I want- who’s to say I won't say shark attack?
My cane-cramped elbow holds me up. This spine of mine is weak, too brittle to hold itself. Tables support my chest, cramping my porcelain spine, chair forcing my hips to sublux; dystonia and muscle pitting biting deep into my nerves! Autonomia is a gift of great proportions- A limited range of motion is a gift! Tendons snap together and create sparks, blood doesn't flow, and nerves always burn.
But the pain of the crip doesn’t end with unending body pain. Comorbidity brains hoard issues to pass- children born worse and worse, disabilities and inabilities piling and piling into a human, who is barely that. A barely walking, stumbling bag of still-and-pooling blood, and disconnective tissues.
The abled don't consider us who want the gift to create life. The abled don't see us or our pain, they simply gaze over our heads. Imagine a crip sitting in a sterile office, hunched over in pain because there are no handles in this tiny room! Wheelchair needs to stay in the waiting room, it can't fit into the back room- Why would a wheelchair need access in Planned Parenthood? Crips don't have sex, it would be a waste of space.
Why don't we have kids? Why won't we create another broken body? A broken body will fracture into further generations, so we crips are at home, tenderly loving a golden dog who plays the role. A crip with a child, a child with a crip? These laws don't want it.
The sterile whiteness of Planned Parenthood is as violating as having an IUD forced upon your body. The crip never consented, a doctor simply assuming the burden too much. Quack quack, I repeat silently as he walks in, papers in hand, but he's not reading them. He thinks he knows my body better than I.
Heart fractured into two separate beats… The Tell-Tale Heart cannot compete with the real beeping of the fetus- I need to burrow into the floorboards! Fetch the heart and bring it to life, or fetch it and bring it to death?
Tale of the crip- to be, or not to be? Will I allow myself to fall apart for a child who will fall apart worse? My mother never believed my muscle-shredding pain was worse than hers could have been- not even when presented with facts. I educate myself more than the specialists! I am living with myself every day- How dare you say I am not real? My tale- the tale of my own crip- has been bad. Crip brains are susceptible to memory loss or never form the memories at all. Medical trauma keeps us alone- Authority trauma keeps us scared.
Nobody will ever take my body away from me, I have worked harder than you ever will, to keep myself glued together, but a second beat would be my poison.
“Translating the Crip Laura Hershey 1962 –2010
Can I translate myself to
you?
Do I need to?
Do I want to?
When I say crip I mean flesh-proof power, flash mob sticks and wheels in busy intersections, model mock.
When I say disability I mean all the brilliant ways we get through the planned fractures of the world.
When I say living in America today I mean thriving and unwelcome, the irony of the only possible time and place.
When I say cure I mean erase. I mean eradicate the miracle of error.
When I say safe I mean no pill, no certified agency, no danger to myself court order, no supervisory setting, no nurse, can protect or defend or save me, if you deny me power.
When I say public transportation I mean we all pay, we all ride, we all wait. As long as necessary.
When I say basic rights I mean difficult curries, a fancy-knotted scarf, a vegetable garden. I mean picking up a friend at the airport. I mean two blocks or a continent with switches or sensors or lightweight titanium, well-maintained and fully-funded. I mean shut up about charity, the GNP, pulling my own weight, and measuring my carbon footprint. I mean only embrace guaranteed can deliver real equality.
When I say high-quality personal assistance services I mean her sure hands earning honorably, and me eating and shitting without anyone's permission.
When I say nondisabled I mean all your precious tricks.
When I say nondisabled privilege I mean members-only thought processes, and the violence of stairs.
By dancing I mean of course dancing. We dance without coordination or hearing, because music wells through walls. You're invited, but don't do us any favors.
When I say sexy I mean our beautiful crip bodies, broken or bent, and whole. I mean drooling from habit and lust. I mean slow, slow.
When I say family I mean all
the ways we need each other, beyond your hardening itch and paternal property rights, our encumbering love and ripping losses. I mean everything ripples.
When I say normal I don't really mean
anything.
When I say sunset, rich cheese, promise, breeze, or iambic pentameter, I mean exactly the same things you mean.
Or, when I say sunset I mean swirling orange nightmare. When I say rich cheese I mean the best food I can still eat, or else I mean poverty and cholesterol. When I say promise I mean my survival depends on crossed digits. When I say breeze I mean finally requited desire. When I say iambic pentameter, I mean my heart's own nameless rhythm.
When I say tell the truth I mean complicate. Cry when it's no longer funny.
When I say crip solidarity I mean the grad school exam and the invisible man. I mean signed executive meetings, fighting for every SSI cent.
When I say challenges to crip solidarity I mean the colors missing from grant applications, the songs absent from laws. I mean that for all my complaints and victories, I am still sometimes more white than crip.
When I say anything I know the risk: You will accuse me of courage. I know your language all too well, steeped in its syntax of overcoming adversity and limited resources. When I say courage I mean you sitting next to me, talking, both of us refusing to compare or hate ourselves.
When I say ally I mean I'll get back to you. And you better be there.
Laura Hershey
November 2010”
Rye Moira Hebert 2025 |
Submitted: January 16, 2025
© Copyright 2025 Rye Moira le Flibbertigibbet. All rights reserved.
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